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Venue Stories : Narratives, Memories, and Histories from Britains Independent Music Spaces
Venue Stories is an anthology of creative non-fiction that remembers, celebrates and reinvigorates our complex and plural relationship with small and independent music spaces.Written by musicians, promoters, fans and academics who have a shared passion for small music venues and musical cultures in all their splendid variety, this anthology features memoir, essays, life writing, historiography and autoethnography.Each chapter is united by a focus on the personal, the sensory and half-remembered.These are stories that cross disciplinary lines and blur distinctions between creativity, reportage and critical analysis.Venue Stories pays a visit to the toilet venues, back rooms and ad-hoc club nights that make up so much of our musical landscape.It spends time in small and local venues and asks what they mean in personal and cultural terms.Writers visit celebrated spots, long forgotten spaces and emergent venues.Whatever the lineage, they are independent, original and wonderfully weird.The stories are memories of seismic gigs and life-altering raves.They are mosaic remembrances and recollections; funny, heart-breaking, rage induced and sometimes a combination of all of these things.This is a collection of stories by and for fans, band members, merch sellers, pint pullers, journalists with a freebie, roadies with a backache and sound techs with an earache.
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How do you separate artists and music?
Artists and music can be separated by recognizing that an artist is the creator of the music, while the music itself is the artistic expression that the artist has created. The artist brings their unique perspective, emotions, and experiences to their music, shaping it into a form of self-expression. On the other hand, the music stands as a standalone piece of art that can be appreciated and interpreted by the audience in their own way, separate from the artist's personal identity. While the artist and their music are interconnected, they can be distinguished as individual entities with their own significance.
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Why can many people not separate artists and music?
Many people struggle to separate artists and music because they often associate the two with each other. The personal lives and actions of artists can influence how people perceive their music, and vice versa. Additionally, the emotional connection that people have with certain songs or albums can make it difficult for them to separate the music from the artist who created it. Finally, the media often focuses on the personal lives of artists, which can further blur the line between the individual and their music.
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What music, songs, and artists do you consider to be hipster music?
Hipster music is often associated with indie and alternative genres, with a focus on lesser-known or underground artists. Some examples of hipster music might include indie rock bands like Arcade Fire or The National, folk artists like Bon Iver or Fleet Foxes, and alternative acts like Tame Impala or Mac DeMarco. Additionally, hipster music can also encompass a wide range of eclectic and offbeat sounds, from lo-fi indie pop to experimental electronic music. Overall, hipster music is characterized by its non-mainstream appeal and its emphasis on authenticity and creativity.
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What kind of music should play in a venue?
The type of music that should play in a venue depends on the atmosphere and the target audience. For a relaxed and casual setting, light background music such as jazz or acoustic tunes can create a pleasant ambiance. For a lively and energetic atmosphere, upbeat and popular music genres like pop, rock, or electronic dance music may be more suitable. It's important to consider the preferences of the venue's clientele and the overall vibe the establishment wants to create when selecting the music. Ultimately, the music should complement the venue's theme and enhance the overall experience for the patrons.
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Networked Music Performance : Theory and Applications
Networked Music Performance (NMP) is the essential guide to both playing music online and ensemble music through networks.Offering a range of case studies, from highly technical solutions to inclusive community projects, this book provides inspiration to musicians to try NMP whatever their level of technical expertise. Drawing upon recent research to examine the background and history of the practice as well as specific practical approaches, technical and musical considerations are included for readers, as are ideas around accessibility and creativity.Accessibility is considered in the context of the opportunities that NMP gives to musicians working remotely, as well as some of the barriers to participation in NMP and how these can be overcome.Synchronous and asynchronous approaches to NMP are explored in detail, examining the technical and musical affordances and challenges of working remotely for musicians. Networked Music Performance will appeal to music and music technology students as well as professional musicians and technicians who have started working online and wish to improve their practice.As NMP in the context of music education and community music are also explored, this book supplies educators and community leaders with knowledge and practical guidance on how to move their practice online.
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Artists and Markets in Music : The Political Economy of Music During the Covid Era and Beyond
This monograph is an innovative examination of the political economy of music.It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today.Interactive relationships, such as the importance of entrepreneurship, serendipity and authenticity, will be explored in artist subjective determinations of success. In particular, this book deeply explores the mental health of musicians and "creative destruction" during the covid era, copyrights in music markets and an evaluation of the importance of entrepreneurship and brand marketing in the life of musical artists.The monograph contributes empirical research to underexplored areas in the cultural economics of music, such as the proposed musical production function by Samuel Cameron (Routledge 2015) and the concept of distinction in cultural production by Pierre Bourdieu (Routledge 1984, 2010) as uniquely applied with examples from the covid era.Readers will benefit from this easy-to-understand interdisciplinary exploration of the music industry with a focus on the United States and the political economy of music during the covid era.Most cultural economics is focused on Europe and Asia, so this emphasis on the United States will be of interest. This book will be a beneficial reference work for researchers and will find an audience among music professionals and artists.Academics and non-academics, experts and novices interested in music and political economy will also find value in Artists and Markets in Music.
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Music's Cult Artists : 100 Artists from Punk, Alternative, and Indie Through to Hip-HOP, Dance Music, and Beyond
Love music? Love illustration? Want to know more about some of the best musicians ever to record - from Bowie and the Beastie Boys to The Smiths and St.Vincent? Then A Guide to Music's Cult Artists is for you. Featuring 100 of the coolest artists from the last five decades, A Guide to Music's Cult Artists reveals the influencers and tastemakers who have helped to shape the contemporary music scene.Award-winning illustrator and comic artist John Riordan profiles cult musicians from genres including punk, indie, alternative, hip-hop and electronic music.Not only does John create amazing illustrations, he also outlines key works from the artists and provides engaging trivia to accompany each entry.Enlightening, often amusing and always stunning to look at, A Guide to Music's Cult Artists is a unique blend of the aesthetic and the acoustic and is an essential addition to any music fan's collection. Music's Cult Artists is a fantastic new edition of the previously published Sound and Vision.
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Drawing as Performance : Theatrical Games and Techniques for Visual Artists
Making connections between drama and drawing, Drawing as Performance introduces visual artists and designers to rehearsal techniques, theory, and games as ways of developing image-making and visual communication skills. Drawing from the fields of theatre and anthropology, this book is full of practical exercises that encourage experimentation and play as methods of making expressive, communicative, and meaningful images.Ideas are adapted from the rehearsal room to the drawing studio, offering artists a fresh approach to translating experiences into visual images.Games and exercises are accompanied by demonstrations and responses from professional practitioners and visual communication students. This one-of-a-kind book guides students and professionals alike to improvisation, self-expression, and reflective visual communication techniques in order to narrow the gap between the handmade image and inner experience from which artists draw their inspiration.
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Are tattoo artists and wall painters both artists?
Yes, both tattoo artists and wall painters are artists. They both use their creativity and skill to create visual art that is meaningful and expressive. While their mediums and techniques may differ, they both engage in the process of creating art and bringing their vision to life. Therefore, they can both be considered artists in their respective fields.
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Does anyone know similar music artists?
Yes, there are many similar music artists to explore. Some similar artists may include [Artist 1], [Artist 2], and [Artist 3]. These artists share similar musical styles and may appeal to fans of [original artist]. Additionally, exploring music streaming platforms and related artist recommendations can help discover new artists with similar sounds.
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Is it allowed to monetize music by Mozart and other artists on YouTube?
Monetizing music by Mozart and other artists on YouTube is allowed as long as you have the necessary rights and permissions to use the music. This typically involves obtaining a license from the copyright holder or using music that is in the public domain. It is important to ensure that you are not infringing on any copyrights when monetizing music on YouTube to avoid potential legal issues.
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What are styles and artists?
Styles in art refer to the distinctive characteristics and techniques used by artists to create their work. These can include elements such as color, composition, and brushwork. Artists are individuals who create art, using their unique styles and techniques to express their ideas and emotions. They can work in various mediums such as painting, sculpture, photography, and more, and their work often reflects their personal experiences and perspectives.
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