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  • Music, in a Foreign Language
    Music, in a Foreign Language


    Price: 7.99 £ | Shipping*: 3.99 £
  • Raffle Tickets Venue Lottery Tickets Folding Game Tickets for Fundraiser
    Raffle Tickets Venue Lottery Tickets Folding Game Tickets for Fundraiser


    Price: 109.24 CNY | Shipping*: 0.00 CNY
  • Seeing Voices : Analyzing Sign Language Music
    Seeing Voices : Analyzing Sign Language Music

    We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to this sound-based definition.Performances of sign language music are defined culturally as music, but they do not necessarily make sound their only--or even primary--mode of transmission.How can we analyze and understand sign language music? And what can sign language music tell us about how humans engage with music more broadly?In Seeing Voices: Analyzing Sign Language Music, author Anabel Maler argues that music is best understood as culturally defined and intentionally organized movement, rather than organized sound.This re-definition of music means that sign language music, rather than being peripheral or marginal to histories and theories about music, is in fact central and crucial to our understanding of all musical expression and perception.Sign language music teaches us a great deal about how, when, and why movement becomes musical in a cultural context, and urges us to think about music as a multisensory experience that goes beyond the sense of hearing.Using a blend of tools from music theory, cognitive science, musicology, and ethnography, Maler presents the history of music in Deaf culture from the early nineteenth century and contextualizes contemporary Deaf music through ethnographic interviews with Deaf musicians.She also provides detailed analyses of a wide variety of genres of sign language music--showing how Deaf musicians create musical parameters like rhythm and melody through the movement of their bodies. The book centers the musical experience and knowledge of Deaf persons, bringing the long and rich history of sign language music to the attention of music scholars and lovers, and challenges the notion that music is transmitted from the hearing to the Deaf.Finally, Maler proposes that members of the Deaf, DeafBlind, hard-of-hearing, and signing communities have a great deal to teach us about music.As she demonstrates, sign language music shows us that the fundamental elements of music such as vocal technique, entrainment, pulse, rhythm, meter, melody, meaning, and form can thrive in visual and tactile forms of music-making.

    Price: 86.00 £ | Shipping*: 0.00 £
  • Seeing Voices : Analyzing Sign Language Music
    Seeing Voices : Analyzing Sign Language Music

    We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to this sound-based definition.Performances of sign language music are defined culturally as music, but they do not necessarily make sound their only--or even primary--mode of transmission.How can we analyze and understand sign language music? And what can sign language music tell us about how humans engage with music more broadly?In Seeing Voices: Analyzing Sign Language Music, author Anabel Maler argues that music is best understood as culturally defined and intentionally organized movement, rather than organized sound.This re-definition of music means that sign language music, rather than being peripheral or marginal to histories and theories about music, is in fact central and crucial to our understanding of all musical expression and perception.Sign language music teaches us a great deal about how, when, and why movement becomes musical in a cultural context, and urges us to think about music as a multisensory experience that goes beyond the sense of hearing.Using a blend of tools from music theory, cognitive science, musicology, and ethnography, Maler presents the history of music in Deaf culture from the early nineteenth century and contextualizes contemporary Deaf music through ethnographic interviews with Deaf musicians.She also provides detailed analyses of a wide variety of genres of sign language music--showing how Deaf musicians create musical parameters like rhythm and melody through the movement of their bodies. The book centers the musical experience and knowledge of Deaf persons, bringing the long and rich history of sign language music to the attention of music scholars and lovers, and challenges the notion that music is transmitted from the hearing to the Deaf.Finally, Maler proposes that members of the Deaf, DeafBlind, hard-of-hearing, and signing communities have a great deal to teach us about music.As she demonstrates, sign language music shows us that the fundamental elements of music such as vocal technique, entrainment, pulse, rhythm, meter, melody, meaning, and form can thrive in visual and tactile forms of music-making.

    Price: 19.99 £ | Shipping*: 3.99 £
  • Do you like German-language music?

    As an AI language model, I don't have personal preferences, but I can appreciate the diversity and creativity of German-language music. Germany has a rich musical tradition and has produced many influential artists across various genres. Whether it's classical music, pop, rock, or electronic music, German-language music offers a wide range of styles and artists to explore.

  • Which language in music do you prefer?

    As an AI, I don't have personal preferences, but I can tell you that the language of music is universal and transcends linguistic barriers. Whether it's classical music, jazz, pop, or any other genre, the emotional and expressive power of music can be understood and appreciated by people from all cultures and backgrounds. Each language in music has its own unique beauty and appeal, and the diversity of musical languages enriches the global tapestry of human creativity and expression.

  • Which language is meant: B-language or Bi-language?

    The term "B-language" typically refers to a second language that a person learns, while "Bi-language" is not a commonly used term in language learning. Therefore, it is more likely that the question is referring to "B-language." This term is often used in the context of bilingualism and second language acquisition, where individuals develop proficiency in a language other than their native or first language.

  • Language hygiene or language police?

    Language hygiene refers to the practice of maintaining and promoting linguistic standards and correctness, while language police refers to the enforcement of these standards through strict and often authoritarian means. While it is important to uphold linguistic standards, the approach should be one of education and encouragement rather than coercion and punishment. Language hygiene can help maintain clarity and understanding in communication, but it should be approached with sensitivity and respect for the diversity of language use.

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  • Wireless mouse Music is my language
    Wireless mouse Music is my language

    Music is my language wireless mouse, delivered with wifi USB key Mac and PC compatible The seller confirms that its products comply with all applicable laws and are only offered if they comply with Joom policies and European laws on the product safety and conformity.

    Price: 22.19 € | Shipping*: 0.0 €
  • Language Through Music Book 1 (Sheet Music & CD Pack)
    Language Through Music Book 1 (Sheet Music & CD Pack)


    Price: 12.95 £ | Shipping*: 3.99 £
  • Language Through Music Book 2 (Sheet Music & CD Pack)
    Language Through Music Book 2 (Sheet Music & CD Pack)


    Price: 12.95 £ | Shipping*: 3.99 £
  • Language Through Music Book 3 (Sheet Music & CD Pack)
    Language Through Music Book 3 (Sheet Music & CD Pack)


    Price: 12.95 £ | Shipping*: 3.99 £
  • In which language is your favorite music sung?

    My favorite music is sung in English. I enjoy the lyrical quality and the emotional depth of English-language songs. The language allows for a wide range of expression and storytelling in music, which resonates with me the most. Overall, English-language music connects with me on a personal level and has a special place in my heart.

  • In which language is music mostly listened to?

    Music is listened to in a variety of languages, as it is a universal form of expression. However, English is one of the most widely used languages in the music industry, and many popular songs are in English. This is due to the global influence of English-speaking countries and the widespread popularity of genres like pop, rock, and hip-hop. Additionally, Spanish, Mandarin, and Hindi are also widely spoken languages in which music is listened to.

  • What is the most beautiful language for music?

    The beauty of a language for music is subjective and can vary depending on personal preferences. Some may find languages like Italian or French to be particularly beautiful for music due to their lyrical qualities and romantic associations. Others may appreciate the melodic sounds of languages like Spanish or Portuguese. Ultimately, the most beautiful language for music is one that resonates with the listener and enhances the emotional impact of the music being performed.

  • Which German-language radio stations play rap music?

    Some popular German-language radio stations that play rap music include 1LIVE, bigFM, and Jam FM. These stations often feature a mix of both German and international rap artists, catering to a wide audience of rap music fans. Additionally, some regional stations like Fritz and Bremen Vier also include rap music in their programming.

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